A New Hat for the Old Lady – La Tour Desnos Gets Some Dormers

New Windows Upon Our World

What do you do with a drunken sailor? I honestly don’t know. But I do know one thing you definitely don’t do with those filthy reprobates: home improvement. Especially roofing work. Leave that to the professionals. The sailors can carry on with singing sea shanties.

With this bit of wisdom in mind, we were finally able to launch a big project that we had been wanting to do ever since we bought La Tour Desnos – adding dormer windows to the tower roof. Our main bedroom is on the top floor of the tower, under the roof. Now, we have already done a lot of work up there: lowering the floor level, adding a bathroom/wardrobe suite, laying down new wood and stone flooring, and brushing on vast amounts of new paint. But the space still felt a bit closed off, isolated, due mainly to the lack of windows. Two small velux windows (Americans would call them skylights) were the only sources of light and air. Placed as they were in the sloping roof, they could only be opened in the absence of rain. Their elevated position also prevented us from taking advantage of the beautiful views over the park below. By adding dormer windows to the roof, we could bring in more light, more air, and give ourselves yet another panoramic view of our surroundings.


Good plan, eh? We thought so. But this is France, where bureaucracy is king. Although, we don’t mention the “king” bit. [They’re still a little touchy about monarchy since the Revolution in 1789.] But it’s true. The administration of all things reigns supreme here. And, to be fair, that’s often a good thing. Things run pretty smoothly in France. The government can be counted on and, in turn, be accountable. Corruption is very low. However, the tangle of administration can be intensely ponderous and arcane.

We first broached the subject of adding lucarnes (dormer windows) to the authorities not long after we bought the property. La Tour Desnos is listed as a monument historique so, not only do we have to obtain approval from our local mairie, we also have to run it by ABF (Les Architectes des Bâtiments de France), the government body which oversees all historical monuments in the country. In our town, we have generally found the mairie to be accommodating with our requests. But ABF can be a bit more challenging.

On our first encounter with ABF, I had proposed an ambitious program of stone-fronted lucarnes with gothic peaks. The representative just tutted, shook her head and growled “non!”. I was a bit taken aback. But, in hindsight, I have to admit that it was the right call. My ambitious design was not appropriate for the history, form and function of the building. Besides, it’s unlikely we could have afforded the cost. Still, it felt to me like a setback. We put the whole idea aside for the time being and got on with more pressing work on the tower.

A year or so later we hosted yet another visit from ABF. This time we politely suggested adding more simple dormers to the roof. The ABF architect firmly responded with an all-too-common phrase that we have come to both love and fear since moving here: “C’est pas possible.” – It’s not possible. With an air of righteous authority, to which she added just a dash of courteous but unmistakable disdain, she informed us that no dormers of any kind would be permissible for our home. Hmnnn … that felt pretty final to us. My recollection is that we drowned our disappointment in copious amounts of tea and scones that evening. With butter and strawberry jam. [Hardcore, eh? Well, that’s how we roll. Get used to it.]

The final round in our battle royale for dormer freedom came two years ago. We thought that we would try for lucarnes one more time. This time, the architect was a different person. The previous official had moved on to terrorize a different region of the country. So, while seeking approval for some new doors and other bits and bobs, Cherie nonchalantly happened to mention that “Wouldn’t it be nice if there were different windows upstairs in the master suite? Maybe two more velux windows?” The young man looked at us in surprise, wondering aloud why we would want velux windows when lucarnes would be much more appropriate and aesthetically pleasing … Wait. What? Barely concealing our shock, we hastily agreed. At our kitchen table he proceeded to dash off a quick sketch with notes for dimensions and materials, allowing for four dormer windows. Voila! Just like that we had our approval. Phew!

Encased in Steel – The Scaffolding Goes Up

We have never tried to analyze the turnaround in ABF’s opinion about the dormers. It’s not worth the brain damage that might result from attempting to rationalize the irrational. Instead, we immediately set to obtaining construction bids. We found a great local company which presented a reasonable price for the work. Unfortunately, the schedule slipped a couple of times; it was several months before our builders were finally able to begin work in June of last year.

Reflecting on My Life Choices as I Face Ginormous Holes in Our Roof

Despite the inconvenience of having a recently-renovated room once again thrown into the chaos of construction, it was exciting to watch the scaffolding encircle the tower and the artisans begin to work on the first of four lucarnes. The first part is pretty brutal. The slate shingles come off and the saws come out, cutting giant holes in the roof structure. The bedroom we had worked so hard to transform was once again a messy, dirty work site. Kind of heartbreaking. But all for a good cause. At least we were hoping so. Soon, though, the framing for the dormer began to take shape and we could begin to see the form of our new windows.

The First One Begins to Take Shape
An épi de faîtage Puts a Finishing Touch on the Lucarne

This project demanded but a small team, the core of which consisted of two men for the daily work, occasionally supplemented by an additional three or four helpers for transporting materials or for managing the scaffolding. They built each lucarne one at a time, completing each one entirely before moving on to the next. The primary framing of solid french oak is satisfyingly thick and solid, pegged together in the traditional manner. Slate tiles clad the roofs and sides, the latter cleverly swooping in a gentle curve to create the gullies in such a way as to harmonious blend the dormers into the roofline as though they had spontaneously grown there. We chose to top the peaks of each lucarne with a traditional terra cotta épi de faîtage (finial) for just a little understated flair; we were a bit nervous about the choice, but we are very happy with the results. The final step was the window installation which, after nearly four months of work on the dormers, felt like an instant – all four windows were in place in the space of a single morning.


The scaffolding came down, the artisans took their leave and we finally had four brand new dormer windows in our master bedroom. Oh, we also had a pile of debris and several large gaping holes in the ceiling and wall plaster. Hélas! But this was no surprise; we knew it would be this way. So we had already arranged for our regular English building contractors to come and restore the interior for us. Kelson and Stuart not only do fine work, but they and their families have also become good friends. With their habitual efficiency and good humor they soon had our wreck of a room looking whole again.


With a lot cleaning, a bit of touch-up painting and the reintroduction of furniture and decorations, our upstairs bedroom is now looking better than ever. The 180 degree views over the park and surrounding town are very pleasant. The cross-ventilation we now have in the room will be especially welcome in the summertime. And we can even have the windows open when it’s lightly raining if we want to. We are very pleased with the way the project turned out and we feel a little bit proud at how our persistence ultimately overcame the mighty bureaucratic steeplechase that had challenged us, at times almost to despair. In short, it’s made us feel, in some small way, French. And we think that’s a good thing.

A Rough-Cut Gem in the Mayenne: le Château du Fresne

Faded Grandeur Adorning the Verdant Landscape of Mayenne (photo courtesy of the du Fresne website)

Cherie happened to be knocking around the interwebs the other day and somehow chanced upon a site for an obscure château we hadn’t heard of before: Château du Fresne. Little more than a half-hour’s drive away, this monument historique looked intriguing. So, Cherie made a quick phone call in order to arrange a tour of the place and off we went the next day.

Morning Light Streaming into our Petit Salon as We Awake for Another Day of Discovery

Château du Fresne (https://chateaudufresne.org/) reposes quietly in a green valley just a few kilometers northeast of the town of Mayenne. A small, picturesque village bearing the pleasingly proud name of Champéon perches at a respectful distance just a couple of fields away. Finding the château is a bit of a challenge. As is often the case with more obscure rural destinations, Google Maps directed us down a country lane which quickly became a dirt track. We were later informed that this was the long-disused drive from the 17th century which now requires an off-road vehicle to navigate. Don’t go that way. Luckily, we have had the experience of these kinds of Google follies before and wisely turned around to seek an alternate route. We found it a few minutes later – minus the off-roading.

The Rear of the House, Protected by its Moat (photo courtesy of the du Fresne website)

The residence and its principal outbuildings are arranged in a classic U-shape, the whole set amongst a pleasant natural setting of green fields and woods. The compound is surrounded by a substantial water moat, crossed by a stone bridge at the gates, opposite the house’s entrance. As it stands today, the house presents a restrained 18th century façade in the French country manner. It is pleasingly faded, wearing its age like a badge of honor. But the occupation of this site is said to reach back to at least the 12th century, if not earlier. Whatever the case may be, the place exudes a feeling of great age – in the best sense.

Le Grand Salon with Its Very Early Copy of Rubens’ Judgement of Solomon The Rear of the House, Protected by its Moat (photo courtesy of the du Fresne website)

Casual visitors are welcome to view the exterior and the grounds. However, if you’ve arranged for a tour (for a minimal fee) you are shown the main residential rooms in the ground floor, the chapel and the outbuildings on either side of the house. Well worth the minimal effort. The owner, Angelo, is Dutch and he splits his time between du Fresne and Amsterdam where he is occupied with the art business.

Le Chambre du Roi – The King’s Chamber (photo courtesy of the du Fresne website)
An 18th Century Addition with Its Beautiful Parquet Flooring (photo courtesy of the du Fresne website)

We liked Angelo. He greeted us in a relaxed, casual manner which immediately put us at ease. And he proceeded to give the two of us a nice tour full of interesting history and anecdotes concerning past owners. Having a shared interest in architecture, restoration and decorative arts, we discussed in detail the many historical features still prominent in the residence and the challenges they face in preserving them. It’s a daunting task, to be sure, but well worth the effort. The house possesses some exceptional architectural woodwork, with elaborate carvings and rare painted decoration in abundance.

A Heavenly Space – Chapelle de Sainte Marie Madeleine (photo courtesy of the du Fresne website)

Standing at the house’s shoulder like an ancient spiritual advisor is the 12th century chapel of Sainte Marie Madeleine. It is a fine example of a medieval manorial household chapel. The chapel is intimate, comprised of a single bay with a narrow elevated gallery in the back, the whole perhaps able to seat twenty souls. Typically, the gallery is accessed by a separate doorway, probably leading to the lord’s private chambers. I could have happily lingered there for an hour or more, exploring all of the fascinating clues such buildings reveal. There remain faint hints of original painted wall decoration and structural alterations. Enough to incite the imagination to endless musings. It’s a real gem.

We also ducked in to the outbuildings which originally comprised a bakery, stables and barns. Though there is little to see in them today, these buildings demonstrate the ways in which manorial estates functioned as largely self-sufficient entities, producing, processing and consuming their own produce as well as the goods and implements needed to sustain them. The owners currently use the buildings for collaborative contemporary art exhibitions and other events. They also support an artist-in-residence program. Honestly, I can’t think of a better place to inspire the development of great art.

The Pigeonnier with the Chapel and House in the Background (photo courtesy of the du Fresne website)

Perhaps the most unique aspect of Château du Fresne is its pigeonnier. Standing upon a small artificial motte in the middle of the broad moat, this dovecote was built in 1539 to celebrate the marriage of the lord at that time, Jean d’Athenaise. The dovecote is octagonal, with timber framing and brick infill, and perched upon granite pillars. It contains enough holes to accommodate 700 nests. The right to build a pigeonnier was held only by nobility. So, this seemingly humble and functional structure was in actuality a conspicuous status symbol at the time it was built. It also produced a steady supply of eggs and meat for the household. The dovecote at du Fresne is especially picturesque, being so quintessentially French. Its graceful aging and commanding presence quietly remind us all of an age obscured by the mists of time.

As we wound up the tour, our host invited us down into the cozy old stone kitchen, a remnant of the previous medieval hall which was replaced by the current house. There we chatted with him and a few guests which had been staying in the residence. We were served some flan and lemonade while an older cousin of his relaxed in the courtyard outside with her friend. It felt as though we had been invited to a relaxing weekend gathering at a private manor. I suppose that, in a manner of speaking, we were.

We very much enjoyed our visit to Château du Fresne. It was interesting, enriching and quite friendly – a pleasant way to pass an afternoon. If you’re in or near the area, it is decidedly worth paying a call into this charming example of France’s past country life. Under the guidance of its new owners, du Fresne also appears to have gained the promise of a bright and vivacious future. It certainly deserves it. And to that end, we wish them the best of luck in their endeavors.

High-Rise Living for the Birds – Inside the Pigeonnier (photo courtesy of the du Fresne website)

Dressing Up the Gates

Singin’ in the Rain – Our Once-Tired Gates Now Have a New Look

Our front gates were in need of a facelift. When we bought the house, they looked fine. But we thought that a little bit of freshening up would help us to put our stamp on the place. So, during a spate of good spring weather, we got out our paintbrushes and changed the color from green to grey. Sounds a bit boring, I know. But we had to contend with the quite limited range of colors we are allowed to use by the Mairie because we are in a historic district of the town. Still, we think it looks rather nice. Subdued, but dignified. And shiny.

The Old, Uninspiring Street View

It has also become glaringly apparent that people have a difficult time finding us. The house entrance is set back from the street, down our short driveway and courtyard. And there is no street number at the sidewalk. I can’t tell you how many delivery drivers and others have called us in dismay, searching in vain for our house. A while back, we tried to remedy this by putting up a nice big 32 plaque above our front door. But it made little difference. It’s quite hard to see from the street – especially at night. And now that we have guests coming in for our holiday rental all of the time, we felt having a clear indication of our presence was even more important than ever.

The solution which we hope will ameliorate the problem arrived a couple of days ago: two plaques for our gates. We ordered them from a small family foundry on Etsy. They are cast aluminum. Made to order. A pretty slick little operation in the U.K. We love them because they have a traditional, hand-crafted form and finish to them. Just right, we think, for an old house on an even older street. I put them up today after making a quick trip to the brico (home improvement store) to grab some aluminum bar and brass bolts to make improvised mounting brackets.


We’re happy with the new look of the gates. And now our street number is directly out front, streetside. Hopefully our address will be much more apparent and we will be easier to find for our holiday rental guests. And it is nice to give people an idea of where La Tour Desnos is hiding. It’s easy to see from the park, but it’s entirely hidden from the street. Most locals don’t even make that connection.

Even little changes can make big improvements to your home. A little paint, a couple of plaques, and a couple of hours of effort are all it took. It’s a great feeling to tick off yet another project on our very long list of things that need doing. On to the next one!